![]() Try changing the level of the faders and see the way that pre and post fade affects your plugin settings. Its as simple as that! Open up your DAW and give it a go… set up a master track and an auxiliary track. The signals are now passing through the auxiliary channel first before they reach the master fader. ‘Master’ or ‘stereo output’ may also be terms used. In most DAWs this will be the name of the analogue outputs that go to your speakers. To do this, you simply select the correct bus at the input stage of the mix bus channel.įinally, set the output of the mix bus aux track to the master fader. Next you need to set up the mix bus channel to receive those signals. When you give the bus a name, it makes it easier to see that everything is routed correctly. Select an unused bus and use it as the output for every channel that you want to reach the mix bus. I want to use multi-mono plugins across the master fader in Logic. ![]() When the mono output is used instead of the separate right and left outputs, then both faders can be used and treated as a single fader. Now you need to route all of your signals to the mix bus channel. The main output has two master faders, one for the left output and one for right output (for stereo applications), that is used to control the master volume of the mixer, as shown below. And Aux Post is typically used for FX, which means it’s affected by the EQ and fader settings. Aux Pre can be used for monitors so the channel Fader won’t affect the Aux sends. They can be set to Pro or Post, which affects where in the signal chain they are picked off. In your DAW’s settings, double check that the channel is post fade. Aux Sends are a really useful tool that are used mostly for monitors and FX. Setting this up is really simple! I’ll demonstrate this using ProTools, but the process is the same in any DAW. For starters, it gives you the perfect environment to. Now, you can turn the processed audio up or down using the fader without any disruption to your plugin settings. A master fader in a session has so many benefits that extend past the processing you can apply to it. With a post fade auxiliary track acting as your ‘mix bus’, any changes to the level of that fader will not affect the input levels of any plugins on that channel. Then route the processed signal from the auxiliary track to the master fader. So the solution is to send everything to an auxiliary channel first. Therefore, if the fader’s position is altered, the input levels of any plugins on that channel will be disrupted. After all, why wouldn’t you just route everything directly to the master fader itself? It’s because many DAWs provide only a ‘pre fade’ master. The concept of routing your entire mix to one channel, then routing that to the master fader, may seem strange. Think of it as a single control point for multiple audio sources. An auxiliary track allows you to monitor and control any number of other signals by routing them to it. To do this, you need to use an auxiliary track. If you’ve read ‘ A tried and tested DAW workflow for mixing sessions’, you’ll know that using a mix bus is really important.
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